As with any Fulci film, The
Gates of Hell’s plot is a bit … abstract.
What you need to know is that a priest in Dunwich (Lovecraft, anyone?)
hangs himself and opens up the Gates of Hell with his suicide. Zombies with some pretty strange powers are
then let loose upon the town. Later, a
reporter who is investigating what is happening in Dunwich, finds out that this
is all part of a prophecy, and he and a psychic then try to put an end to the
horror.
The film was banned in Germany and was cut in England due to
scenes such as a head getting drilled and a woman throwing up her
intestines. The intestines, it should be
noted, weren’t fake. They were really
sheep intestines that she had in her mouth and had to actually vomit forth,
though a fake head was used for close-ups.
And they say DeNiro gets in character.
I don’t think he ever puked up animal guts. Live maggots were used for a rain scene, as
well, but that hardly matters after putting sheep parts in one’s mouth.
The movie is not what I’d call a “great” film, but it is a
fun one full of Fulci moments of head scratching madness. It
nearly left me in a state of awe, as it was so obvious this was not the product
of an American mind. It was horror that
could only come from some sort of deranged foreign maestro. Would George Romero think of using
teleporting zombies? No, and that is
what makes this film so crazy. The
unthinkable is thought and done.
The Gates of Hell,
as it was released in America and how I fondly remember it as, is a work of flawed genius, but I guarantee you
haven’t seen anything quite like it.
Mandatory FTC Disclaimer: I did not receive this film to review, and clicking on a link may earn me some dough.
Mandatory FTC Disclaimer: I did not receive this film to review, and clicking on a link may earn me some dough.
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