Showing posts with label The Girl With The Dragon Tattoo. Show all posts
Showing posts with label The Girl With The Dragon Tattoo. Show all posts

Sunday, February 13, 2011

Advance Word on the Bonus Disc on the Upcoming Stieg Larsson's Dragon Tattoo Trilogy

2/22/11.  Mark the date on your calendar, smart phone, Mayan stone disc thing -- whatever you got.  That's the day you can get your hands on Stieg Larsson's Dragon Tattoo Trilogy.  If you're waiting for the Hollywood remakes, you're an idiot.  These are the films to see.  My reviews of the films will be on Film Threat (I have my review of The Girl With the Dragon Tattoo there with the rest to follow).  What makes this boxed set so special is the fourth disc.  (And no, this is not the mysterious fourth movie based on the rumored fourth book, but that is talked about on this disc.)

The bonus disc is one of the few that really is a bonus for fans of this trilogy (which at this point is just about everyone and their mothers).  You get a documentary that looks at Larsson's life, death, that fourth manuscript, neo-Nazis and just about everything else you can imagine.  (You'll also be amazed at how much his father and brother look like him.)  Also included are two very fascinating interviews with Noomi Rapace and Michael Nyqvist.  Those three things alone would make the boxed set worth getting, but then there are interviews with other cast and crew and the staging of a fight scene, which makes this thing top out at just over the two hour mark.  Music Box Films has, again, scored a coup with this one.

If you haven't bought the other three films, this is going to be mandatory.  The documentary on Larsson is spectacular and goes in-depth with the people behind Expo and the books.  Of course, some of you may have already purchased the films not knowing this set was coming out.  Those make great gifts, as you simply have to watch this bonus disc.  (My screener copy actually had a glitch which made about ten minutes of the documentary unwatchable, but I still enjoyed it.  Normally that would drive me up a wall, but I actually made my DVD player strain trying to take in every word I could make out.)

Again, don't wait for the (most assuredly watered down) Hollywood remakes.  Go right to the source.  In just a few days you will have an incredibly in-depth look as to why this is literally a global phenomenon.

Thursday, October 28, 2010

The Girl With the Remake Tattoo

Americans love to think we can do anything better than our foreign counterparts.  The world has soccer, which culminates in the World Cup where teams from around the world compete.  America has baseball and the World Series, in which two teams square off (both are usually American, though they could be Canadian).  Then there's Americanized sushi (pathetic).  War (Hitler invades, we drop the BOMB).  And movies.  The lastest round of remakes targets The Girl With The Dragon Tattoo, which was originally a Swedish film based off a Swedish book and which currently has two sequels.

The film is fairly well-liked.  I reviewed it for Film Threat and was immediately a fan.  I even made note in my review that it was being remade.  So that begs the question: If the film is well-received (even in America), why remake it in the first place? 

The first and foremost answer is: subtitles.  The vast majority of American movie audiences don't like "reading" their movies.  Fine.  I understand these people must be appeased, though I am of the mind that if they don't want to read subtitles they can just miss out.  That answer is too simple, however.  I think the real answer is: Because we think we can do it better.

The movie did amazingly well at the box office.  (The book is a bestseller, too.)  I believe some vulture in Hollywood saw that and said, "If a foreign movie can do this well, imagine how much money I'd make if I did a domestic version of it!"  Boom.  The idea was born.

There is, of course, some truth to that notion.  We do movies well.  I can't think of any situation where an American film was remade overseas and outdid the box office of the original picture.  I don't think it has happened (though I haven't conducted a thorough study).  I still don't like the idea, though, and there are two reasons for that.

One, on a plainly personal level, I find the idea disrespectful.  In my view it sends the idea that the original version is not good enough on its own.  It makes it somewhat flawed, and needs to be fixed.  I know not everyone thinks that way (and I have enjoyed remakes -- some more than the originals), but it still feels that way.

Then there is the fact that Americans make films for a dumber audience, and it makes films differently.  Foreign films have subtleties there that are far different from American films, but are universal nonetheless.  When an American remake is done, these often sublime moments are erased and we are often hit over the head with symbolism and message, as if we couldn't get there on our own with the original.  In many (not all) foreign films made for a serious film audience, you take from the movie what you bring to it.  In American films, you take what you are given.  That's not entirely the filmmaker's fault.  It's often what the audience demands.

I know plenty of you reading this have seen The Girl With The Dragon Tattoo.  I ask you to think back to that unpleasant scene where Lisbeth was raped.  Now remember her stiffly walking home.  All I could think about during that scene, and I'm sure I'm not the only one, is that if this was shown in to your average American audience, there would be people laughing.  There is the difference.

I don't plan on seeing the remake unless I'm reviewing it for some publication or site.  The people I've talked to who have seen the original version don't plan on it, either.  Some of you will call me a film snob or an elitist.  (I've been called worse.)  That's okay.  I don't believe I'm a film snob (hell, I like some crap), but I'll wear the elite title any day.  I'm passionate about the things I like.  I study them.  I defend them.   The rest of you can enjoy Me, Myself and Irene or some other such nonsense.